Filmography
Adam
2027, script doctor, dir. Tomasz Matuszczak, East Studio.
Never indifferent.
2023, writer, Youtube mini series/ social camapign, dir. Krzysztof Komander. Fundacja Dajemy Dzieciom Siłę.
High Water
2022, writer, TV mini series, episodes 2,4,6, Telemark/ Netflix.
The Fugue
2018, script doctor, movie, dir. Agnieszka Smoczyńska, MD4.
Demon
2015, co-writer, movie, dir. Marcin Wrona, MagnetManFilm.
They Chased me through Arizona
2014, script associate, movie, dir. Matthias Huser, Ventura Film/ Lava Films.
In the name of…
2013, script associate. movie, dir. Małgorzata Szumowska, MD4/ Zentropa.
Audio-series
Sergeant Cuff 4
2025, co-writer, audio-series, audioteka.pl, audiosteka.cz.
Anima. Powrót
2022, writer, audio-series, audioteka.pl, audioteka.cz
Sergeant Cuff 3
2020. co-writer. audio-series. audioteka.pl
Anima
2019. writer, audio-series. audioteka.pl, audioteka.cz
Sergeant Cuff 2
2019, co-writer, audio-series. audioteka.pl, audioteka.cz
Sergeant Cuff
2018, co-writer, audio-series. audioteka.pl. audioteka.cz, audioteka.de
Animation
Flo the Seal
In production, 52-ep preschool series, head writer. Animoon.
Boy at the Edge of the Worlds.
2026 writer, dir. Marta Szymańska, Grzegorz Wacławek. Animoon.
The Guardian of the Source
(in development), writer, movie, dir. Mateusz Jarmulski, Animoon
Omul. At the edge of the worlds.
(in production) co-writer, movie, dir. Grzegorz Wacławek, Animoon
Karol
2020, writer, streaming-series, dir. Kasia Wilk, Animoon
Vita
Kinga Krzemińska gained her writing education at FAMU in Prague, Czechia, and NYFA in New York. In 2017 she graduated Culture Studies at the Warsaw University, Poland. The topic of her master thesis was: “Holocaust representations in popular culture and a fairy tale with a typical happy ending”. Aside from writing for movies, television, animation and audio streaming platforms, she worked as a translator and educator. Her interests go as far as Holocaust education (internships in Auschwitz-Birkenau Museum and USHMM in Washington D.C), and development aid (volunteer educator in Mathare slums in Nairobi, Kenya).
Her love of writing for different mediums, different audiences and juggling different genres comes from her dislike of boredom and a notion that different stories require different ways of being told best.